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DESIGN FOR LUXURY & CRAFTSMANSHIP

Caterina Valletta – Up & Down

by Caterina Valletta

Since ancient times, cutlery has always featured in light-hearted, shared moments around the dining room table. Yet, it has always been considered as purely functional, designed for savouring and appreciating dishes and very often relegated to the background, unlike plates and glasses, as we forget its importance from an aesthetic point of view. Up & Down offers to revisit cutlery by creating a non-traditional set with a strong character. Starting with a 2D cut-out on a steel plate, a small detail raises the cutlery so that it does not touch the surface, thus solving a problem that is both functional and aesthetic.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Alexis Perron-Corriveau – Flip Off

by Alexis Perron-Corriveau

This project seeks to explore the world of sunglasses and its related fashion accessories. The side shields used for mountaineering glasses combined with the unique style of the cycling cap were the conceptual premises of this research. The reinterpretation of these elements gives this pair of sunglasses a distinctive chic, sporty look – a must-have accessory. Stand alone, these handmade glasses are versatile. However, the possibility of adding a visor easily, thanks to a magnetic clip, allows the wearer to be ready for action and stylish at the same time.

DESIGN FOR LUXURY & CRAFTSMANSHIP

JiYeong Kim – Epiphany

by JiYeong Kim

Epiphany refers to a sense of or insight into eternity that is suddenly experienced in ordinary and everyday objects. I wanted to create a meditation object for everyday life that attracts curiosity and encourages us to immerse ourselves in a meditative journey, as I believe in the saying “the unconscious determines our destiny”. The world of the human unconscious is an unknown one that many people try to reach through meditation. But we cannot meditate as often as monks. If you meditate a little every day in your daily life, you will feel a deep sense of peace. Inspired by amazing natural phenomena such as fire, water and fog, this project aims to help your mind stop for a moment and explore its subconscious.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Gala Espel – Archéologie du futur

by Gala Espel

What will future archaeological discoveries look like? What meaning will they give our present time through the objects that will have been unearthed? Archéologie du futur (Archaeology of the Future) is a futuristic project featuring a series of objects that give a prospective representation of our material footprint. This project uses photogrammetry – a common tool in archaeology – to scan existing items and, based on these, to create, recompose and think up a possible scenario. A plant wraps around a container eroded by time. A shell fossilises around a metallic rod. A set of objects is created evoking a future where industrial forms are eventually taken over by nature. In time, this digital collection will materialise into silverware and jewellery made with this technology applied to design.

Design Research for Digital Innovation (EPFL+ECAL Lab)

Romain Talou – Future Heritage

by Romain Talou

Future Heritage investigates how to make long-term, high-density information storage technologies more tangible. Working in the context of cultural heritage, the project allows institutions to keep their archives alive using DNA data storage for generations to come. Through a process of design research, the Future Heritage project explores how to make this synthetic DNA storage relevant for institutions today and far into the future. The resulting DNA storage object is designed to withstand environmental and societal changes over the next two thousand years. Using nano-engraving and a semiological approach, the object gives tangible hints and previews of the rich content that lies within it. In collaboration with: Claude Nobs Fondation, Swiss National Library (NL)

Design Research for Digital Innovation (EPFL+ECAL Lab)

André Andrade – Poster World

by André Andrade

Poster World is a design research project in collaboration with the Museum für Gestaltung Zürich. Through the museum’s archives of posters, one of the most extensive and important in the world, the project offers a new way of engaging the public with digitised heritage. It materialises in an interactive installation and offers automated associations of posters by combining metadata with artificial intelligence. Key visual features are isolated and graphically illustrated to make the associations explicit. The project opens perspectives on how to represent digitised heritage and how to engage the public. In collaboration with: Computer Vision Laboratory (CVLab, EPFL), Digital Humanities Laboratory (DHLAB, EPFL)

Design Research for Digital Innovation (EPFL+ECAL Lab)

Valentin Calame – Jean Starobinski. Relations critiques

by Valentin Calame

Jean Starobinski. Relations critiques is a research project on the curation of digitised literary artefacts. Initiated by the Swiss National Library, it is structured around an online exhibition based on the archive of prominent critic Jean Starobinski. Through this project, I explored how to take advantage of emerging technologies to create alternative experiences for the public. Around concepts such as the “Aura” of digital artefacts, “Tangiality” and adaptive spaces, I was able to define parameters to increase cognitive gain, visitor engagement and emotional connection with digitised objects. The knowledge generated by this first exhibition will serve as a model for future iterations. In collaboration with: Swiss National Library (NL), Apptitude SA

DESIGN FOR LUXURY & CRAFTSMANSHIP

Kévin Goury – Intersection

by Kévin Goury

Intersection explores the work of lines with glass. The project takes shape through a dialogue between designer and craftsperson. This set of vases, divisible into three parts, provides containers that can be adapted to all types of flowers. Small and compact bouquet, traditional container or soliflore. Each piece is decorated with colourful motifs. These are the result of graphic research on the weave and creation by accumulation. Through conversations and experimentation with the glassblower, they grow in shape, size and shades to adapt to the practice of this unique material. The superimposed motifs respond to one another and create new ones when assembled. At this moment, the vase takes on a totemic and sculptural aspect that livens up the room it occupies. Photo credit: Samuel Spreyz

DESIGN FOR LUXURY & CRAFTSMANSHIP

Briac Laforge – Time in Balance

by Briac Laforge

Having spent a year in Switzerland and being interested in the world of watchmaking, I naturally turned to this universe for my graduation project. I liked the idea of using the codes of Swiss watchmaking to adapt them to my work. For my graduation project, I sought to create an object using the precision, details and materials of various Swiss manufactures. The final object is a mobile clock with two balanced hands. The appearance of the object is simple and ethereal, due to the small number of visible parts. Nevertheless, the mobile hides a complex mechanism inside. The goal was to intrigue the user by creating a magical effect with these two balanced hands. Depending on the light, it is possible to read the time thanks to the shadow cast by the object on the ground.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Seungmok Lee – Play Collection for Picnic

by Seungmok Lee

My project is based on a personal experience in Switzerland. Whenever I go for a picnic in parks or by the lake in Switzerland, I see people playing cards on the train or giant chess in the park with their family and friends. There is always a joyful atmosphere and a sense of happiness around them. That is why I decided to design this Play collection for picnic. I used sustainable materials like cork and paper, but at the same time, I sought to keep the aesthetics of the object. A thing of long-lasting beauty is engraving. Not only does it reduce chemical ink for printing but it also allows people to feel the contrast between light and shadow through the object.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Clementine Le Guerec – Contact

by Clementine Le Guerec

Contact is a collection of various visors that play with the notion of the gaze. After the recent pandemic, the majority of our interactions and emotions are read through the eyes. They play a key role in our interactions but we sometimes feel the need to isolate ourselves and cut ourselves off from the world. Inspired by different hat shapes, each model is designed according to a precise functional principle and plays with the gaze. The intention through this exploration of functional, hybrid and playful forms is to allow the wearer to play with the gaze of others, as well as to isolate him- or herself and create a bubble through the feeling of comfort and security that these accessories can provide. Contact protects you as well as it reveals you.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Roxanne Del Val – Noue-moi un bijou

by Roxanne Del Val

When I started climbing, I had to learn the various knots. I immediately liked their shape, but also their meaning: they catch us if we fall, but they also allow us to move forward and progress on the climbing wall. Noue-moi un bijou (Tie me a jewel) is a collection of three items of jewellery inspired by climbing knots. I wanted to decontextualise them by using well-known types of jewellery such as rings, bracelets and necklaces. By modifying the shape of the knots, I created three pieces that wrap themselves around the hand, the finger and the chest. The jewellery is made of nylon paracord, to recall the primary inspiration of the collection. I also created small silver attachments that allow the jewellery to adjust to the shapes of the body.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Camille Dutoit – Eclipse

by Camille Dutoit

Nowadays, we are constantly confronted with the vision of our appearance, whether through a reflection on a window, a mirror in a shop or even on the screens of our mobile phones. Halfway between a figurative and functional object, this table mirror enables people wishing to see themselves to measure the intensity of their reflection thanks to a circular surface coloured with a gradient from intense black to transparent. By rotating this disc, you can discover your own reflection in a poetic way, play with its intensity and admire yourself. Eclipse is also a figurative object. Indeed, thanks to the interplay of reflections and transparency, it has the advantage of being subtly present and enhancing the room in which it is placed.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Ömer Akkas – Chevron

by Ömer Akkas

This project is a study that aims to explore and design playful items of jewellery based on the link between the human body and jewellery in terms of emotions to create different shapes by rotating layers, a process inspired by traditional Turkish mosaics.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Yuoning Chien – Grid Collection

by Yuoning Chien

Based on basic graphic design elements, this research focuses on the functionality of graphic shapes from two- to three-dimensional objects. This is a collection of vases made with different grid arrangements. Whether on the floor or on a desk, they are crafted like an art sculpture. To put the flowers into the vase, make the vase work as a three-dimensional painting.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Charlotte Angéloz – Weave It

by Charlotte Angéloz

How does one create volumes using perforated material and fabric? This graphic and technical research focuses on the grid and weaving. I am interested in the construction of a volume from a graphic cut. The pattern cut into the leather gives rhythm to the creation and acts as a support for the weave. This helps create shapes and volumes. Following this research, I have chosen to design three bags that fit into a pop and colourful universe. The volumes created give the bag its shape and the place for the handles. The manufacturing system of these accessories allows for multiple possibilities. You can play with sizes and integrate various materials. You can also use scraps of fabric, recycled materials, and easily change parts when they are worn.

PHOTOGRAPHY

Yann Difford – Is it a mirage or an oasis?

by Yann Difford

“Exoticism stems from what is distant and unfamiliar, but above all from a point of view. This project questions the desire for exoticism, the way it is expressed and unfolded, in a generally unidirectional Western context; i.e. from the West to the rest of the globe. This reconsideration helps us grasp that this is not a state of affairs, but rather a process of exoticisation. I deconstruct this process by decontextualising and recontextualising exotic symbols.“

MEDIA & INTERACTION DESIGN

Jamy Herrmann – MEMOGRAM

with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio

Today, for many, the memories that remain are only those of images taken with digital cameras. Through this continuous storage process, we offload those moments by trusting instantaneous backups. MEMOGRAM challenges this delegation by offering a time capsule in the form of tickets, accompanying our memories with textual clues and descriptions. www.memogram.ch

MEDIA & INTERACTION DESIGN

Nora Fatehi – Mirror Me-rror

with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio

In an environment where the line between digital and tangible is becoming increasingly thin, having an existence in immaterial spaces implies shaping and maintaining an avatar that is often created in one’s own image. Living in these in-between worlds inevitably leads to the development of a more or less strong connection with one’s own digital representations. This is notably the case of my own avatar, with whom I share more than just a well-defined clothing style. In Mirror Me-rror, she and I become one. By using my physical and digital data to influence her abilities as my “virtual self”, I find myself constantly connected to her. With this project, I question the relationship that each of us nurtures with our digital identities and offer a gamified perspective of our own lives.

MEDIA & INTERACTION DESIGN

Samuel Dumez – Public Lectures

with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio

How can artists/designers share and enrich their practice in a context where videoconferencing is becoming one of the most used means of disseminating content? In the form of a mini web-conference, Public Lectures consists of a succinct presentation of the work of people active in the field of culture through audiovisual content. Encouraging interaction, through comments and content exchange, Public Lectures seeks to erase the usual boundaries between presenter and viewer. A form of horizontality is thus born within the platform, inviting people to contribute in order to bring out innovative forms of dialogue and to meet the challenges of this new means of communication.

MEDIA & INTERACTION DESIGN

Mélanie Fontaine – Latent*

with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio

The mirroring system of instant messaging implies the presumed availability of the interlocutor. However, while waiting for a response, certain questions become recurrent: “Alex is online, why isn’t he answering? What is he doing?” Latent* is a chat application that allows you to converse with your friends by developing the context of the discussion and what is not said. Just like theatre, it fuels the conversation by adding didascalies generated according to the collected data (response time, location). By highlighting the unsaid parts of an exchange, the generated reading mode enriches the discussion, creates poetic tension, and allows the interlocutors to become the characters of their own play. www.melaniefontaine.ch

MEDIA & INTERACTION DESIGN

Elodie Anglade – Digital DNA

with Alain Bellet, Christophe Guignard, Gaël Hugo, Laura Nieder, Pauline Saglio

Digital DNA is a 3D data visualisation platform that displays an analysis of the content that is shown to me on Instagram. The interface compares the duality of my perception with that of the algorithm. It results in a virtual space representing a digital genome that visitors are invited to explore in order to discover the subtleties of the intersection between human and algorithmic perspectives. While studying these “smart” systems, I became aware that their ability to analyse is somewhat biased. Some of the categories I was assigned were unexpected and did not match the visuals presented. In this way, Digital DNA highlights the gap created by this contrast between the categories and the visuals that are displayed. Try it here

GRAPHIC DESIGN

Marine Dang – For the Times They Are a-Changin’

by Marine Dang

For the Times They Are a-Changin’ is a graphic interpretation of the play PRLMNT written by Camille de Toledo in 2017. The anticipatory fiction is divided into two parts: the first one is set in a capitalist system with unlimited expansion and power, while the second one seeks resilience and recognition of the rights of non-humans. The challenge of this publication is to bring these ideologies into dialogue, to offer a parallel reading of the two scripts. To do this, I experimented with the materiality of the object. Through the choice of formats, papers and fonts, I both oppose and mix these statements. Through images, I offer new settings for the play, taking the audience into the ruins of their own world. www.marinedang.ch

INDUSTRIAL DESIGN

Jillian Reichlin – Sileo

with Stephane Halmai-Voisard, Maddalena Casadei

Sileo is a social design project based on the “housing first” principle, which aims to provide homeless people with a roof so that they can reintegrate society. Starting from an existing frame hut, the challenge was to design a 10m2 interior to make it a pleasant place to live at a low cost. The project consists of four individual cabins containing a bed with storage, a wardrobe, a mirror, a removable desk, a chair and shelves. All these elements have been designed in Swiss spruce wood and are arranged in the cabin in such a way as to take up as little space as possible. Two other huts serve as a common kitchen and a common bathroom. This place is intended to be supervised by a Geneva association for the homeless.

INDUSTRIAL DESIGN

Yann Cistac – Desalinated Water Shower

with Stephane Halmai-Voisard, Maddalena Casadei

This public shower, located on the beach, uses desalinated water, which is pumped directly from the sea. The desalination system, powered by solar energy, produces 60L of clear water per hour. The base houses a metal casing that protects all the components. Once desalinated, the water is stored in a 1000L tank. A press on the tap triggers a 10-second flow. The aim of this project is to popularise the principle of desalination by introducing it into our daily lives. The exhibition of the elements helps showcase the system to the public.

INDUSTRIAL DESIGN

Anaïs Lehmann – Line

with Stephane Halmai-Voisard, Maddalena Casadei

We all know about the scourge of plastic waste in our oceans, but did you know that there is even more plastic in our soils? This is what the latest report from the FAO (Food and Agriculture Organisation of the United Nations) has revealed. Indeed, with its pots, nets, and various types of films, plastic is everywhere in the food-processing industry and our agricultural land is polluted by micro-particles. Line is a reusable and 100% natural alternative to plastic mulching film. Made from linen oiled with linseed oil, it is extremely durable and does not release any chemical particles into the soil. Its woven or folding strip systems offer great flexibility of use for various types of planting with variable spacing.

INDUSTRIAL DESIGN

Theodore Simon – Lari

with Stephane Halmai-Voisard, Maddalena Casadei

During my previous studies in micro-engineering, my curiosity for the technical nature of production was sharpened, particularly towards the elasticity of different materials. Lari stems from research on compliant mechanisms which make use of that elasticity to provide motion, thus reducing the number of parts, simplifying production and facilitating recycling. This kitchen scale, entirely made of plastic, consists of two parts. The item to be weighed is disposed on the tray which is linked to the base by two flexible parallel beams. This allows the tray to remain level. The other part is a flexible indicator actuated by the movement of the tray which allows calibration to zero by sliding in the base.

INDUSTRIAL DESIGN

Célia Tourette – OneStall

with Stephane Halmai-Voisard, Maddalena Casadei

Several problems have been mentioned to me by market sellers: there are too many separate items, the set-up time is too long, the stand is often too expensive, transportation is inconvenient, and sometimes the umbrellas fly away or get soaked with water. OneStall is a market stall. Easily assembled and disassembled, it includes a textile roof and trays to display your goods. All in one, its structure is light thanks to the aluminium profiles that can be screwed together. To prevent them from getting lost, the screws are held in place by circlips. The stand can be levelled on a sloping floor by using adjustable feet. Finally, the beaded fabric protects the vendor, the merchandise and the consumers from the sun and the rain.

INDUSTRIAL DESIGN

Timothée Lehmann – LL Rack

with Stephane Halmai-Voisard, Maddalena Casadei

The objects are made of recycled tires, a material that is usually burned and not reused as no one knows how to reuse it. It helps protect the bike and the existing furniture. In the summer, many people use bicycles, and the space to park them quickly becomes saturated. LL Rack is an alternative system that helps create parking spots for bikes on urban furniture, such as poles or lampposts. This series of three objects can be used on larger or smaller diameters. The tires slip like a sock into a stainless-steel piece to make it difficult to steal the bike.

INDUSTRIAL DESIGN

Anaïs Rochat – Brise

with Stephane Halmai-Voisard, Maddalena Casadei

Brise is a lounge chair made of wood and mesh allowing for better air circulation. Nowadays, heat waves are becoming more and more frequent. The first ones to suffer are the elderly as it is harder for them to regulate their body heat. Since they spend most of their days resting, I decided to rework their chair with a focus on cooling. By replacing the foam and the traditional layers with perforated fabric, the seat reduces the contact of the material with the skin. This way, air can circulate and guarantee better cooling.

INDUSTRIAL DESIGN

Noémie Soriano – Matalàs

with Maddalena Casadei, Stephane Halmai-Voisard

Every year more than 30 million mattresses are thrown away in Europe. Despite the establishment of dismantling centres, only half of these mattresses are recycled. Those whose materials cannot be separated end up incinerated. This is due to the excessive use of glue and the mixing of different materials. Matalàs offers an alternative to this problem by taking into account its recycling from the design stage. Designed in three parts, it facilitates the extraction of wool and springs, thus becoming part of a circular economy.

INDUSTRIAL DESIGN

Sophie van der Bij – Deky

with Stephane Halmai-Voisard, Maddalena Casadei

Deky is a plaid-like garment for elderly people who are often cold. Its loose and enveloping shape allows seniors to keep warm and dress effortlessly using Velcro and colour coding. It is also ideal for elderly people with limited movement: caregivers can take off the back buttons to dress the person easily. The back is shorter than the front, allowing Deky to be worn seated without inconvenience and without disrupting daily actions. The quilted fabric is made of light and warm polyester foam covered with soft and fluid gabardine. Deky is an everyday companion to facilitate the life of elderly people by keeping them warm and providing a feeling of security and comfort.

INDUSTRIAL DESIGN

Laure Wasser – Eventa

with Stephane Halmai-Voisard, Maddalena Casadei

Eventa is an adapted diary that is designed for elderly people with cognitive problems, particularly relating to memory, and can be essential in enabling them to remain independent in their own home while offering complete peace of mind. On a tablet of their choice, elderly people use a digital app that enables them to contact their loved ones by text message or phone call. It also provides them with a diary that emits sounds to remind them of their daily events. The simplified keyboard is integrated into the shell of the tablet. It allows direct, non-touch navigation in the application. The device evolves as the disease worsens. In addition, caregivers and relatives can easily interact with Eventa by text message or by adding events to monitor the patient.

INDUSTRIAL DESIGN

Clara Bertière – Yum

with Stephane Halmai-Voisard, Maddalena Casadei

During a visit at the CHUV, I noticed that there were no specific dishes for small children. Parents most often have to bring their own glasses or cutlery. This is why I created Yum, a set of tableware accessories for hospitalised children. The silicone set includes a children’s plate rim for children who can only use one arm, a holder for glass jars, and handles to slide over cutlery which help improve the child’s grip. With Yum, children are more autonomous and eating becomes more enjoyable thanks to the colours and shapes. Meals become a moment of conviviality with the handles of the cutlery that turn into playful companions!

PHOTOGRAPHY

Camille Spiller – Smooth Space

with RVB Books/Matthieu Charon & Rémi Faucheux

« My work focuses on the construction of the city and addresses my own critical position within the extensive social fabric produced by the city. Inspired by Deleuze and Guattari’s “smooth space” — i.e., open, free-flowing, multidimensional — this work analyses and connects urbanisation processes in various West European cities. Fragments of prefabricated buildings, office blocks and streets aggregate chaotically. By further warping their aspect through the photographic lens their chaos is accentuated thus generating an atmosphere of doubt. Collage in post-production pushes distortion to the point of creating a conundrum between optical illusion and constructed reality.»

FILM STUDIES

Léa Célestine Bernasconi – The mountains are still growing (Sound)

with Nathalie Vidal

My job was to create the soundtrack for this film from sound recording to mixing and editing.

FINE ARTS

Djellza Azemi – The Act of Letting Someone Into Your Home

by Djellza Azemi

So many things are promised, so many things remain exactly the same.

DESIGN FOR LUXURY & CRAFTSMANSHIP

Mika Matikainen – Beyond Function

by Mika Matikainen

Often, we tend to subconsciously acknowledge only one single meaning for objects around us, but when it comes to things that have an emotional connection or deeper meaning to us, it is reasonable to question the validity of functionalism and to assume that we want to load more meaning into objects that are important and close to us. In a world full of objects that lack character, I sought to create a sculpture-like object that has value in itself yet disrupts the idea of a sculpture by having a real function, i.e., by acting as an enigmatic tea set. By combining these two ways of looking at this object, there can be many interpretations, which makes it valuable aesthetically, symbolically and functionally.

FINE ARTS

Salomé Chatriot – Lactose Oozing From a Breathing Singularity

by Salomé Chatriot

In 2018 a sprawling turbo alternator awakened under Salomé Chatriot’s caresses as she helped it out of its lethargy with a set of soft medical systems. They merged to create a space time destined to be dismantled, fragmented and reassembled inside the machine’s fertile matrix: Fragile Ecosystem. In this polymorphic universe, the fusion of technological and organic elements fosters the emergence of sculptures and virtual environments. Physical processes such as Chatriot’s breathing activate mechanical systems, resulting in symbiosis between the human body and her technological devices. Stuck in this nymphosis, they are constantly exchanging enzymes, hormones and proteins while infecting each other’s systems with vital breath, carnal desire and empathic energy.

FINE ARTS

Lorenzo Benzoni – I Sit Here and I Cry

by Lorenzo Benzoni

I Sit Here and I Cry is based on a hyper-pop song performed by myself and produced by @nightclub20xx called Ghostin the Castle. The main aim of my research is to analyse capitalism from a Gen Z perspective and, as I usually do in my practice, to build images and play with elements that I create and translate between different media. I decided to play with the settings of gothic novels, in particular with the image of the castle and the vampire, in the historical transition from feudalism to capitalist economy. There is a sculpture of a castle made with salt dough, a drawing that shows what is happening inside the walls, a ghost puppet and the video of the song, in reference to Mark Fisher’s concept of “hauntology” and politically related memes.

FINE ARTS

Benjamin Fanni – Feu Turfu Térébenthine II

by Benjamin Fanni

This installation includes two types of projects. On the one hand a series of hybrid sculptures stages spectral bodies on a seashore at dusk. Part of their vocabulary derives from Abrahamic monotheism – icon, shroud, chasuble, hijab – and the tradition of abstract painting. Through this work, I sought to replay the motifs that distinguish iconoclastic and iconophilic cultures. Abstraction and figuration struggle with one another. On the other hand, there is a mechanical piano, as much automaton-instrument as performative machine. The music that it produces is inspired by the modes of composition which characterise the North and South of the Mediterranean.

INDUSTRIAL DESIGN

Nima Kaufmann – Résilience

with Stephane Halmai-Voisard, Maddalena Casadei

Used as a set or as independent accessories, the Resilience project brings together the four elements of jewellery. The main part of the research focuses on the clasp, spotlighting an element that represents the only functional aspect of the jewel. This attraction for connector elements results from the work that saw me combine the practices that materialise my daily life: design and jewellery. This story of alloys and connections is also a physical story of contrasts between the cold and resistant properties of the steel that compose it, which are attenuated by the areas intended for gripping the item of jewellery, which are made of technical ceramics. Visual and sensory contrasts thus bear witness to industrial interventions, which are generally foreign to the world of jewellery.

FINE ARTS

Valentina Parati – Spotter

by Valentina Parati

The place becomes time Space becomes mine On the one hand we have reality, a delicate analysis of the place of observation, a meeting place for enthusiasts but also for children who enjoy dreaming and watching planes; on the other hand, we have a magical, transformative part: an airport that comes alive and produces music in the absence of people. Combining these two characteristics, I decided to transform the airport, not into a place of observation, but of listening, a place to appreciate repetition. Spotter is an invitation to listen with your eyes and watch with your ears.

FINE ARTS

Luca Frati – Prayer Is Whatever You Say on Your Knees

by Luca Frati

Prayer Is Whatever You Say on Your Knees is a performance which, through fiction, stages the fantasy and desire of being a popstar. Stardom and fame are taken as a metaphor of creative freedom and also as a reflection on wealth. The work reflects on desire through the use of prayer, an act that implies faith. Faith is intended here as a deep form of trust in one’s own agency, or better the ability to shape oneself into one’s desired form – a form which in this case is influenced by hyper feminine models but seen from a gender-nonconforming perspective, which places my body inside the tension of gender identification. The setting of the performance involves the use of a sculpture whose role is to deliver a sense of intimacy to the viewer.

FILM STUDIES

Victor Comte – Carne (Screenplay)

with Nadine Lamari, Alice Winocour, Michel Spinoza

This is the first draft of a feature film script, written over the two years of the MA programme.

FILM STUDIES

Rokhaya Balde – La passion d'Aline (Screenplay)

with Nadine Lamari, Alice Winocour, Michel Spinoza

My graduation project is a version 1.0 of a feature film script on the life of Aline Sitoé Diatta. Aline is a heroine of the Senegalese resistance and particularly of Casamance against French colonisation in the 1920s and 1940s.

FINE ARTS

Filippo Bisagni – Un jardin d’Egypte

by Filippo Bisagni

The installation Un jardin d’Egypte brings together two subjects that are opposite in terms of content and message, but which share similar aspects in terms of visual composition: Marcel Broodthaers’ Un Jardin d’Hiver (1974) and the so-called Egyptian Room in the Villa San Martino, Napoleon’s summer residence during his exile on Elba. What they have in common is a small group of plants arranged in a circle. Broodthaers’ installation displays palm plants that represent a critical reflection on colonialism. The Villa San Martino room displays papyrus plants which represent a nostalgic and apologetic message referring to the Egyptian Campaign. Papyrus or palms That we sow That grow A garden in Egypt ?

FINE ARTS

Mayara Yamada – That Night Marara Kelly Played in My Town

by Mayara Yamada

That Night Marara Kelly Played in My Town is a visual appearance peripheral to the Marara Kelly Art Show, a series of performance in which Mayara Yamada creates a form of self-mythology where she seeks out, throughout an evening divided into five chapters, Marara Kelly, her personal party entity, the guardian of her childhood dreams. The project showcases a series of photographs that begin in the Brazilian Amazon and end in Lake Geneva. As well as a typical banner of the Brazilian Amazon, that here announces an otherworldly party, the world in which Marara transits is magical and disrupts the established reality. There one could imagine a party where the entrance is made during the dive in the river and the after-party begins with the emersion in Lake Geneva.

INDUSTRIAL DESIGN

Lucie Herter – R2Home

with Stephane Halmai-Voisard, Maddalena Casadei

Every day, 1800 radiosondes are sent into the atmosphere to collect data and make weather forecasts. However, only 20% of the instruments are recovered worldwide. R2Home is a solution developed by Yohan Hadjil, EPFL student, to address this problem. It features a fully autonomous paragliding robot that navigates to a precise landing spot determined by the user. More information on www.r2ho.me. My project focuses on the development of the shell that protects the mechanism from the cold, the rain and shocks. It is mainly made of expanded polypropylene. The shell consists of two parts that can be assembled using PET pieces. All materials can be easily recycled. Intuitive design, easily replaceable parts, environmentally friendly and reusable, R2Home is the next generation of radiosondes.

FINE ARTS

Christian Schulz – Trap

by Christian Schulz

test test test test test test process of reactivating the emotional body can you hear me now in language and death as we come to the close of our broadcast day reduced to the operational function of language this is my farewell transmission notwithstanding research in protocols and anyone within the sound of my voice procedures for vocal recognition I’ve got fifty thousand watts of power the excess of sensuousness exploding into the circuitry this microphone turns sound into electricity of social communication and openings infinite game of interpretation desire can you hear me now infinite sliding transition the last watt leaves the transmitter desert of meaning desensualisation of language

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Alexis Perron-Corriveau – Flip Off

JiYeong Kim – Epiphany

Gala Espel – Archéologie du futur

Romain Talou – Future Heritage

André Andrade – Poster World

Valentin Calame – Jean Starobinski. Relations critiques

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Briac Laforge – Time in Balance

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Marine Dang – For the Times They Are a-Changin’

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Theodore Simon – Lari

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Clara Bertière – Yum

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Benjamin Fanni – Feu Turfu Térébenthine II

Nima Kaufmann – Résilience

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Luca Frati – Prayer Is Whatever You Say on Your Knees

Victor Comte – Carne (Screenplay)

Rokhaya Balde – La passion d'Aline (Screenplay)

Filippo Bisagni – Un jardin d’Egypte

Mayara Yamada – That Night Marara Kelly Played in My Town

Lucie Herter – R2Home

Christian Schulz – Trap